Ceramics

That touch with primitive cultures broke in him even the last forms of our inherited tradition, completely set him free and deepened his sense of connection with the material and form.

His pots assume the freest forms of balanced lines and distinctive sculptural qualities assisted by glaze polychromy. The degree of development is represented by completely free imaginary light and bright decorative plastics. Analogously to the richness of plastic forms his plates bring the same freedom and imagination in line and color.

In the eternal quest for functionality and beauty he created a peculiar world of decorative moldings that seemed timeless at that era. Within that, he also opted for the pure and abstract forms, giving priority at a time to some of them and then to some others. Very boldly experimenting with glazes and neoglazing colors, he achieves special originality on the surface by highly baked crackles that like a net fulfill the cracks caused by baking on the glazed cover, all of which creates a special touch on the surface.